Chūya Nakahara jako twórca japońskiego sonetu: perspektywy przekładu

Chūya Nakahara as the author of Japanese sonnet: Translation perspectives This article offers a reflection – against historical and literary background epoch on Nakahara’s work (1907–1937), who was precursor syllabicaccentual verse (particular sonnet). Comparative analysis his poem Mata kon haru (Spring comes again) its Polish translation (included in only anthology contemporary poetry entitled Cherries bloomed winter) aims at shedding light how difficult adaptation sonnet to language. The OJAD (Online Accent Dictionary) service seems offer new promise for research practice, proving that intonation cadence may be treated similarly feet written European languages.